Isabel Nolan, Curling up with reality

It‘s interesting to see how the perception of artists’ writing and the role it can play in their practice as…

Rodrigo Valenzuela, Journeyman

This proofing job came to me via Valerio, of graphic designers Julia, with whom I’d worked on two anthologies, and…

I encountered Bassam El Baroni ‘properly’ (I had met him via Anne Szefer Karlsen before) when working on How Institutions…

Hot on the heels of issue # 10 on Migration going live, there is now also issue # 11 of PARSE…

I have been copy-editing and proofing essays for the issue # 10 of PARSE Journal on Migration for quite a…

Having worked with Olivia Plender on a book about a whole body of work, titled Rise Early, Be Industrious (2016), I…

The publication following the conference ‘Humans of the Institution’, organised by Anne Szefer-Karlssen and Vivian Ziherl is now available for…

A belated post, but Curating after the Global. Roadmaps for the Present, the third in the series of anthologies published by…

Things may seem to be quiet on the editorial project front. There is, however, a good reason for that: having…

The Faculty of Fine, Applied and Performing Arts at the University of Gothenburg hosted its third PARSE conference over the…

Last night I had the honour, and in many ways the privilege, to open the series of speeches at Books…

While New Contemporaries is celebrating its seventieth anniversary this year – having been initiated by the Arts Council in 1949…

It’s been a slightly longer process than with the two previous books in the series, but Curating after the Global: Roadmaps…

The ninth issue of PARSE Journal is now live, on the recently revamped website. Some further texts still to be…

I have known Isabel Nolan for about a decade now, and fell in love with her artworks when I first…