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Gerrie van Noord

editor / curator of publications*

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Category: Copy-Editing

Another PARSE Journal – on Fabulation

With ‘fabulation’ having been widely embraced as an approach to knowledge production in artistic practice and research, and some of … More

fabulation, PARSE Journal, practice-based research, practice-led research

On acknowledgements…

Thinker and writer Mick Wilson invited me to work for PARSE Journal over a decade ago, after having been introduced … More

curatorial discourse, discourse formation, Floating Opera Press, Mick Wilson, Paul O'Neil, quoted

Helsinki launch Reaching Out…

After having worked with the PUBLICS Youth Advisory Board (PYAB) in Helsinki, Praksis Teen Advisory Board (PTAB) in Oslo and … More

collaboration, index, ITAB, Praksis, printed matter, PTAB, PUBLICS, PYAB, Rooftop Press

Beyond the Sweet Spot – talking about a different collaboration

When artists and filmmakers Iain Forsyth & Jane Pollard contacted me whether I was interested in compiling and editing a … More

Arup SoundLab, collaboration, conversation, emotion, experience, Iain Forsyth & Jane Pollard, listening, Raj Patel, Routledge, sound and space, sweet spot

Double launch in Copenhagen with a three-way conversation

Hot on the heels of the London launch of Curious, Paul and I met again two weeks later, this time … More

conversation, Copenhagen, Curious, Irene Campolmi, launch, Not Going It Alone, Paul O'Neil, readings, Simian

From Violence to the Powers of Love

Following the release of the last part of the ‘Violence’ issue of PARSE Journal, issue # 20, on the ‘Powers … More

Complexity, Copy-Editing, Love, PARSE

PARSE # 15 – on Violence

Of all the PARSE Journal issues I have worked on, issue # 15 has possibly been the most drawn out … More

Copy-Editing, HdK-Valand, PARSE, violence

Responses #2 – Opinions Informed by Practice

Having worked with the students of the MA Curatorial Practice at the University of Bergen before, course director Anne Szefer … More

Anne Szefer Karlsen, collaboration, Copy-Editing, editing, Ma Curatorial Practice, process, University of Bergen

Another PARSE post…

This time to offer a selection of essays across PARSE Journal’s ten-year output. As part of marking this achievement, I … More

celebrating, Copy-Editing, highlighting, PARSE, revisiting, selecting

Revisit Reuse workshop in Brussels

Having been aware of Eva Weinmayr as an artist who is also interested in publishing, albeit from a different angle … More

collaboration, Constant, Eva Weinmayr, Femke Snelting, licence, PARSE, process, prompts, Revisit Reuse, workshop

PARSE tenth-anniversary conference

Having worked on copy-editing texts for PARSE Journal since issue # 3, which came out in 2016, it was great … More

editing, HdK-Valand, online journal, PARSE, publishing, Research, University of Gothenburg

Responses # 1 – Opinions Informed by Practice

Having been invited for a workshop around writing and editing with the first cohort of the MA Curatorial Practice at … More

Anne Szefer Karlsen, Copy-Editing, editing, Ma Curatorial Practice, publishing, responses, writing

PARSE Journal # 14

Texts for PARSE Journal seem to have been coming in hard and fast for issue # 15, which once again … More

art education, Copy-Editing, PARSE

Between the Material and the Possible anthology

Although the book Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art has come out quite a … More

An Endless Supply, Bassam El Baroni, Edith-Russ-Haus, infrastructure, pandemic, Sternberg Press, The MIT Press

Waldemar d’Orey catalogue

Not a lot of text to go through for this publication, but a fascinating one to work on nonetheless: a … More

catalogue, Jürgen Bock, Lumiar Cité, Maumaus, Penelope Curtis

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