Between the Material and the Possible

I encountered Bassam El Baroni ‘properly’ (I had met him via Anne Szefer Karlsen before) when working on How Institutions Think. His essay was the last to come in, but certainly not the least interesting. Although late in the day in the process of production of the book, what really stood out was that whileContinue reading “Between the Material and the Possible”

Olivia Plender website

Having worked with Olivia Plender on a book about a whole body of work, titled Rise Early, Be Industrious (2016), I am delighted to be working with her again. This time we’re thinking through what it may mean to build a website for a practice as diverse, but at the same time very consistent, as hers.Continue reading “Olivia Plender website”

Curating after the Global

A belated post, but Curating after the Global. Roadmaps for the Present, the third in the series of anthologies published by The MIT Press in collaboration with CCS Bard is out. In many ways more complex than the two previous books in the series – The Curatorial Conundrum (2016) and How Institutions Think (2017) – all three combinedContinue reading “Curating after the Global”

Relative Silence…

Things may seem to be quiet on the editorial project front. There is, however, a good reason for that: having immersed myself rather wholeheartedly in several book projects last year – one of which was rather complex, see here and the next post – the plan is to focus more on my PhD, as that wasContinue reading “Relative Silence…”

Three times lucky…

It’s been a slightly longer process than with the two previous books in the series, but Curating after the Global: Roadmaps for the Present is now off to the printers. This time the team of editors had expanded to four: in addition to Paul O’Neill, Lucy Steeds and Mick Wilson, with whom I worked on HowContinue reading “Three times lucky…”

Tinkering with text

I have known Isabel Nolan for about a decade now, and fell in love with her artworks when I first encountered them, and have been following her practice closely ever since. I have also been intrigued by the odd speech I have had the pleasure of hearing her deliver/perform.* I laughed heartily at her introductionContinue reading “Tinkering with text”

Book Works

After having worked as an associate editor on the series Fabrications for independent art(ists’) book publisher Book Works in 2006-2009, I am now a member of its board. I am looking forward to working with the organisation and the other board members in the years ahead. This year has kicked off with a bang, withContinue reading “Book Works”

Curating After the Global

Following on from How Institutions Think (2017), and The Curatorial Conundrum, What to Study? What to Research? What to Practice? (2016), I will shortly start work on Curating after the Global. Following a conference at the Luma Foundation in Arles in September 2017, the book aims to address curating with respect to questions of locality, geopolitical change, the reassertion ofContinue reading “Curating After the Global”

Min(d)ing the Gaps

A couple of years ago artist Anthony Shrag and I walked and talked for an entire day (see a previous post). The upshot of that extended conversation was a collaboration around a text, which is now a blog. The text reflects on an artist-in-residence project that Anthony did, and that, despite all best intentions fromContinue reading “Min(d)ing the Gaps”

How Institutions Think – launch

The year 2018 will kick off with the launch of the book How Institutions Think on Monday 15 January, at 6.30 – 8.30 pm, during which I will be in conversation with Paul O’Neill, Lucy Steeds and Mick Wilson, the editors. The event will be hosted by The Showroom, which also hosted the launch of TheContinue reading “How Institutions Think – launch”

How Institutions Think – book and launch

Coinciding with the third conference titled ‘Curating After the Global: Roadmaps for the Present’, organised by a range of partners, including CCS Bard and the LUMA Foundation, the book following the second symposium, How Institutions Think, was released. Only receiving copies last week, I was surprised by the sheer pleasure of seeing and holding theContinue reading “How Institutions Think – book and launch”

Revisiting: Tony Oursler – The Influence Machine

In Madison Square Park in New York, and subsequently in Soho Square, the heart of London’s media world, video artist Tony Oursler created a spectral audio-visual experience for an image-saturated society. Conceived as a kind of psycho-landscape, The Influence Machine delves deep into the history of media, rousing long-forgotten spirits and setting them to roamContinue reading “Revisiting: Tony Oursler – The Influence Machine”

Revisiting: Rachel Lichtenstein – Rodinsky’s Whitechapel

Traversing London from near Euston Station to the top of Brick Lane through back alleys and quiet streets today, made me realise how much this city has changed in the span of just under two decades. I was reminded that in the late 1990s, early 2000s, virtually the only happening place was the Vibe bar onContinue reading “Revisiting: Rachel Lichtenstein – Rodinsky’s Whitechapel”

How Institutions Think

Following the conference titled ‘How Institutions Think’, which took place in Arles in 2016, and which was organised by CCS Bard, Central St. Martins, Valand Academy (University of Gothenburg) and the Luma Foundation, work has commenced on the book. I will be working on it as managing editor, alongside editors Paul O’Neill, Lucy Steeds andContinue reading “How Institutions Think”

Revisiting: Steve McQueen

I first met Steve McQueen in Amsterdam in 1996, when I was still working at De Appel in Amsterdam, and he came over to do a talk there. He ended up moving from London to Amsterdam around the same time as I moved from Amsterdam to London. We stayed in touch though, and when inContinue reading “Revisiting: Steve McQueen”