A final post for 2021, to celebrate the fact I finished my PhD this year and passed my viva. Am…
Waldemar d’Orey catalogue
Not a lot of text to go through for this publication, but a fascinating one to work on nonetheless: a…
Olivia Plender website live
After over a year of careful deliberation, thinking through how an entire artist practice can be (re)presented and navigated, Olivia…
PARSE bumper issue on ‘Exhibition’
The current issue (# 13) in production – in three parts no less, it’s a bumper crop – of PARSE…
Parting with the Bonus of Youth – Maumaus as Object
Curator Jürgen Bock is one of my longest standing ‘clients’, with our communication and collaboration going back to the late…
Eva Rothschild, My World and Your World
Having got to know Rebecca Heald as a fellow lecturer at the Royal College, she asked me to work on…
Isabel Nolan, Curling up with reality
It‘s interesting to see how the perception of artists’ writing and the role it can play in their practice as…
Rodrigo Valenzuela, Journeyman
This proofing job came to me via Valerio, of graphic designers Julia, with whom I’d worked on two anthologies, and…
Between the Material and the Possible
I encountered Bassam El Baroni ‘properly’ (I had met him via Anne Szefer Karlsen before) when working on How Institutions…
It never rains but it pours: another PARSE
Hot on the heels of issue # 10 on Migration going live, there is now also issue # 11 of PARSE…
More parsing for PARSE
I have been copy-editing and proofing essays for the issue # 10 of PARSE Journal on Migration for quite a…
Olivia Plender website
Having worked with Olivia Plender on a book about a whole body of work, titled Rise Early, Be Industrious (2016), I…
Humans of the Institution available now
The publication following the conference ‘Humans of the Institution’, organised by Anne Szefer-Karlssen and Vivian Ziherl is now available for…
Curating after the Global
A belated post, but Curating after the Global. Roadmaps for the Present, the third in the series of anthologies published by…
Relative Silence…
Things may seem to be quiet on the editorial project front. There is, however, a good reason for that: having…