Another website

Having worked as an editor on Olivia Plender’s website, which went live almost a year ago, I recently contributed to…

Thinking, talking and teaching

Having contributed to the MA Curating Contemporary Art at the Royal College of Art, London, as a visiting lecturer since…

Texts for PARSE Journal seem to have been coming in hard and fast for issue # 15, which once again…

Although the book Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art has come out quite a…

A final post for 2021, to celebrate the fact I finished my PhD this year and passed my viva. Am…

Not a lot of text to go through for this publication, but a fascinating one to work on nonetheless: a…

After over a year of careful deliberation, thinking through how an entire artist practice can be (re)presented and navigated, Olivia…

The current issue (# 13) in production – in three parts no less, it’s a bumper crop – of PARSE…

Curator Jürgen Bock is one of my longest standing ‘clients’, with our communication and collaboration going back to the late…

Having got to know Rebecca Heald as a fellow lecturer at the Royal College, she asked me to work on…

It‘s interesting to see how the perception of artists’ writing and the role it can play in their practice as…

This proofing job came to me via Valerio, of graphic designers Julia, with whom I’d worked on two anthologies, and…

I encountered Bassam El Baroni ‘properly’ (I had met him via Anne Szefer Karlsen before) when working on How Institutions…

Hot on the heels of issue # 10 on Migration going live, there is now also issue # 11 of PARSE…

I have been copy-editing and proofing essays for the issue # 10 of PARSE Journal on Migration for quite a…