Endings

A final post for 2021, to celebrate the fact I finished my PhD this year and passed my viva. Am…

Waldemar d’Orey catalogue

Not a lot of text to go through for this publication, but a fascinating one to work on nonetheless: a…

After over a year of careful deliberation, thinking through how an entire artist practice can be (re)presented and navigated, Olivia…

The current issue (# 13) in production – in three parts no less, it’s a bumper crop – of PARSE…

Curator Jürgen Bock is one of my longest standing ‘clients’, with our communication and collaboration going back to the late…

Having got to know Rebecca Heald as a fellow lecturer at the Royal College, she asked me to work on…

It‘s interesting to see how the perception of artists’ writing and the role it can play in their practice as…

This proofing job came to me via Valerio, of graphic designers Julia, with whom I’d worked on two anthologies, and…

I encountered Bassam El Baroni ‘properly’ (I had met him via Anne Szefer Karlsen before) when working on How Institutions…

Hot on the heels of issue # 10 on Migration going live, there is now also issue # 11 of PARSE…

I have been copy-editing and proofing essays for the issue # 10 of PARSE Journal on Migration for quite a…

Having worked with Olivia Plender on a book about a whole body of work, titled Rise Early, Be Industrious (2016), I…

The publication following the conference ‘Humans of the Institution’, organised by Anne Szefer-Karlssen and Vivian Ziherl is now available for…

A belated post, but Curating after the Global. Roadmaps for the Present, the third in the series of anthologies published by…

Things may seem to be quiet on the editorial project front. There is, however, a good reason for that: having…