Another PARSE Journal – on Fabulation

With ‘fabulation’ having been embraced as an approach to knowledge production in artistic practice and research, with some of my…

On curatorial discourse and acknowledgement

With Mick Wilson inviting me to work for PARSE Journal over a decade ago, after having been introduced to him…

Having started calling myself a ‘curator of publications’ about a decade ago, it was interesting to see a job with…

After having worked with the PUBLICS Youth Advisory Board (PYAB) in Helsinki, Praksis Teen Advisory Board (PTAB) in Oslo and…

Following our conversation at IMMA in February, Paul and I met once more in Dublin in December 2025 during the…

In late June I attended the “Circuits of Experiences, Research and Knowledges” gathering in Bergen, Norway, organised by the indomitable…

A while ago I was invited to work on a publication with the current youth boards affiliated with three arts…

Following the short course Publishing, Editing, Writing, which I delivered together with my then colleague Rosie Ram, I’ve been developing…

While I have over the years processed many contributions to PARSE Journal issues that followed its biannual conference, I have…

In 2023 I spotted a call for papers, jointly issued by Valiz, an Amsterdam-based publisher that I’ve been following for…

After a delayed publication in 2024, and following several launches – in London, Copenhagen, Paris, as well as several other…

Paul O’Neill has recently donated his curatorial archive to the Irish Museum of Modern Art (IMMA) in Dublin, which would…

It was never my intention to enter education, nor was I ever planning to become an academic. When studying art…

I only got to know more about Grace Ndritu’s practice a couple of years ago, when working on Kathrin Böhm:…

When artists and filmmakers Iain Forsyth & Jane Pollard contacted me whether I was interested in compiling and editing a…