More PARSE

The Faculty of Fine, Applied and Performing Arts at the University of Gothenburg hosted its third PARSE conference over the…

Goodbye to a legend

Last night I had the honour, and in many ways the privilege, to open the series of speeches at Books…

While New Contemporaries is celebrating its seventieth anniversary this year – having been initiated by the Arts Council in 1949…

It’s been a slightly longer process than with the two previous books in the series, but Curating after the Global: Roadmaps…

The ninth issue of PARSE Journal is now live, on the recently revamped website. Some further texts still to be…

I have known Isabel Nolan for about a decade now, and fell in love with her artworks when I first…

Recently I had the pleasure of doing two talks outside my normal teaching context (Birkbeck, University of London): one for…

After having worked as an associate editor on the series Fabrications for independent art(ists’) book publisher Book Works in 2006-2009,…

In the course of 2018 the Faculty of Fine, Applied, and Performing Arts at the University of Gothenburg has shifted its publishing…

Throughout 2018 I’ve been involved as with a catalogue for MK Gallery in Milton Keynes. Following an expansion project by…

In the course of the last decade I have on and off worked on publications with writing by artist/jeweller Leonor…

Having been a freelancer for the last thirty odd years – starting out as such by choice, rather than influenced…

Following on from How Institutions Think (2017), and The Curatorial Conundrum, What to Study? What to Research? What to Practice? (2016), I will…

A couple of years ago artist Anthony Shrag and I walked and talked for an entire day (see a previous…

Meanwhile PARSE issue 7 on Speculation has also gone online. This issue explores how and why speculative thinking and speculative…