The publication following the conference ‘Humans of the Institution’, organised by Anne Szefer-Karlssen and Vivian Ziherl is now available for … More
Author: gvannoord
Curating after the Global
A belated post, but Curating after the Global. Roadmaps for the Present, the third in the series of anthologies published by … More
Relative Silence…
Things may seem to be quiet on the editorial project front. There is, however, a good reason for that: having … More
More PARSE
The Faculty of Fine, Applied and Performing Arts at the University of Gothenburg hosted its third PARSE conference over the … More
Goodbye to a legend
Last night I had the honour, and in many ways the privilege, to open the series of speeches at Books … More
Bloomberg New Contemporaries 2019
While New Contemporaries is celebrating its seventieth anniversary this year – having been initiated by the Arts Council in 1949 … More
Three times lucky…
It’s been a slightly longer process than with the two previous books in the series, but Curating after the Global: Roadmaps … More
PARSE 9 on Work
The ninth issue of PARSE Journal is now live, on the recently revamped website. Some further texts still to be … More
Tinkering with text
I have known Isabel Nolan for about a decade now, and fell in love with her artworks when I first … More
Talks
Recently I had the pleasure of doing two talks outside my normal teaching context (Birkbeck, University of London): one for … More
Book Works
After having worked as an associate editor on the series Fabrications for independent art(ists’) book publisher Book Works in 2006-2009, … More
Meta PARSE
In the course of 2018 the Faculty of Fine, Applied, and Performing Arts at the University of Gothenburg has shifted its publishing … More
The Lie of The Land
Throughout 2018 I’ve been involved as with a catalogue for MK Gallery in Milton Keynes. Following an expansion project by … More
Gems
In the course of the last decade I have on and off worked on publications with writing by artist/jeweller Leonor … More
Humans of the Institution
Having been a freelancer for the last thirty odd years – starting out as such by choice, rather than influenced … More