In the course of 2018 the Faculty of Fine, Applied, and Performing Arts at the University of Gothenburg has shifted its publishing approach. Rather than publishing PARSE Journal via distinct issues in both print and online, as it had done since its inception, it has gone mainly digital. As the new website states: ‘PARSE does not undertake orContinue reading “Meta PARSE”
Throughout 2018 I’ve been involved as with a catalogue for MK Gallery in Milton Keynes. Following an expansion project by 6a architects, in close collaboration with artists Gareth Jones and Nils Norman, MK Gallery will reopen in March 2019. The opening show, titled The Lie of the Land, explores how the British landscape was radically transformed byContinue reading “The Lie of The Land”
In the course of the last decade I have on and off worked on publications with writing by artist/jeweller Leonor Hipólito, designed by Arne Kaiser. I knew Arne through publications I’d worked on with curator Jürgen Bock, so via this string of connections I was invited to work on Leonor’s texts. The first one, überstein,Continue reading “Gems”
Having been a freelancer for the last thirty odd years – starting out as such by choice, rather than influenced by more recent notion associated with ‘the gig economy’ – I would have loved to have attended and participated in the Humans of the Institution events, which took place in Amsterdam in November 2017. OrganisedContinue reading “Humans of the Institution”
Following on from How Institutions Think (2017), and The Curatorial Conundrum, What to Study? What to Research? What to Practice? (2016), I will shortly start work on Curating after the Global. Following a conference at the Luma Foundation in Arles in September 2017, the book aims to address curating with respect to questions of locality, geopolitical change, the reassertion ofContinue reading “Curating After the Global”
Meanwhile PARSE issue 7 on Speculation has also gone online. This issue explores how and why speculative thinking and speculative activity have obtained a new topicality, especially in philosophy, culture and politics, in a condition marked by the absence of certainty, the crisis of the crisis of metaphysics, the dominance of finance capital and theContinue reading “Another PARSE issue online”
The year 2018 will kick off with the launch of the book How Institutions Think on Monday 15 January, at 6.30 – 8.30 pm, during which I will be in conversation with Paul O’Neill, Lucy Steeds and Mick Wilson, the editors. The event will be hosted by The Showroom, which also hosted the launch of TheContinue reading “How Institutions Think – launch”
Coinciding with the third conference titled ‘Curating After the Global: Roadmaps for the Present’, organised by a range of partners, including CCS Bard and the LUMA Foundation, the book following the second symposium, How Institutions Think, was released. Only receiving copies last week, I was surprised by the sheer pleasure of seeing and holding theContinue reading “How Institutions Think – book and launch”
I recently received paper copies of the PARSE journals I’ve worked on, including the latest one on Secularity, which doubles as a catalogue for the Goteborg International Biennial for Contemporary Art 2017, curated by Nav Haq, which is titled WheredoIandyoubegin. Edited by Andrea Phillips, Nav Haq and Ola Sigurdson, the issue contains a wide range ofContinue reading “PARSE”
I will be speaking at the upcoming John Berger Now conference in Canterbury on 12 September. The invitation for submission of abstracts was preceded by the following statement. ‘The death of the artist is a dividing line’ wrote John Berger in 1966. ‘Every artist’s work changes when he dies. And finally no one remembers whatContinue reading “More talk”
Three times lucky for me: I’ll be talking at Birkbeck again this morning. Drawing on notions of authorship and translation, and making connections with ‘the curatorial’ and ‘the translational’ I will consider some case studies that I’ve been looking at recently, including the book Ways of Seeing. .
Not strictly talking about a specific book, but I will be in conversation with graphic designer Stuart Bailey this coming Tuesday, 20 June, about how we both approach our research around art books, and publishing about and in relation to art. Stuart finished his PhD at Reading in 2014, embracing Umberto Eco’s notion of the OpenContinue reading “More talking…”
I have been invited to talk about publications in relation to film and video work at a conference in Zurich next month. The focus is specifically on images, so am revisiting and thinking about a series of books I’ve worked on in relation to film and video work. (Click here for further info).
Issue 5 of the open access PARSE Journal of Valand Academy of the University of Gothenburg has just gone online (click here to access the webpage). As always, it comprises an interesting range of texts, this time on ideas and practices related to management in the arts – both on individual and institutional levels. Contributors includeContinue reading “On Management”